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ul, ol, dl { /* Due to variations between browsers, it's best practices to zero padding and margin on lists. For consistency, you can either specify the amounts you want here, or on the list items (LI, DT, DD) they contain. Remember that what you do here will cascade to the .nav list unless you write a more specific selector. */
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	margin-top: 0;	 /* removing the top margin gets around an issue where margins can escape from their containing div. The remaining bottom margin will hold it away from any elements that follow. */
	padding-right: 15px;
	padding-left: 15px; /* adding the padding to the sides of the elements within the divs, instead of the divs themselves, gets rid of any box model math. A nested div with side padding can also be used as an alternate method. */
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a img { /* this selector removes the default blue border displayed in some browsers around an image when it is surrounded by a link */
	border: none;
}

/* ~~ Styling for your site's links must remain in this order - including the group of selectors that create the hover effect. ~~ */
a:link {
	color:#CC0000;
	text-decoration: underline; /* unless you style your links to look extremely unique, it's best to provide underlines for quick visual identification */
}
a:visited {
	color: #FF0000;
	text-decoration: underline;
}
a:hover, a:active, a:focus { /* this group of selectors will give a keyboard navigator the same hover experience as the person using a mouse. */
	text-decoration: none;
}

/* ~~ this container surrounds all other divs giving them their percentage-based width ~~ */
.container {
	width: 100%;
	max-width: 1260px;/* a max-width may be desirable to keep this layout from getting too wide on a large monitor. This keeps line length more readable. IE6 does not respect this declaration. */
	min-width: 780px; /* the auto value on the sides, coupled with the width, centers the layout. It is not needed if you set the .container's width to 100%. */
	background-color: #FFF;
	background-image: url(../../Images/backgr.jpg);
	margin-top: 0;
	margin-right: auto;
	margin-bottom: 0;
	margin-left: auto;
}

/* ~~ the header is not given a width. It will extend the full width of your layout. It contains an image placeholder that should be replaced with your own linked logo ~~ */
.header {
	font-family: Verdana, Geneva, sans-serif;
	font-size: xx-large;
	color: #C00;
	background-color: #999999;
	background-image: url(../../Images/backgr.jpg);
	height: 120px;
}

/* ~~ These are the columns for the layout. ~~ 

1) Padding is only placed on the top and/or bottom of the divs. The elements within these divs have padding on their sides. This saves you from any "box model math". Keep in mind, if you add any side padding or border to the div itself, it will be added to the width you define to create the *total* width. You may also choose to remove the padding on the element in the div and place a second div within it with no width and the padding necessary for your design.

2) No margin has been given to the columns since they are all floated. If you must add margin, avoid placing it on the side you're floating toward (for example: a right margin on a div set to float right). Many times, padding can be used instead. For divs where this rule must be broken, you should add a "display:inline" declaration to the div's rule to tame a bug where some versions of Internet Explorer double the margin.

3) Since classes can be used multiple times in a document (and an element can also have multiple classes applied), the columns have been assigned class names instead of IDs. For example, two sidebar divs could be stacked if necessary. These can very easily be changed to IDs if that's your preference, as long as you'll only be using them once per document.

4) If you prefer your nav on the right instead of the left, simply float these columns the opposite direction (all right instead of all left) and they'll render in reverse order. There's no need to move the divs around in the HTML source.

*/
.sidebar1 {
	float: left;
	width: 20%;
	padding-bottom: 0px;
	background-color: #CCCCCC;
	background-image: url(../../Images/backgr.jpg);
}
.content {
	width: 80%;
	float: left;
	background-image: url(../../Images/backgr.jpg);
}

/* ~~ This grouped selector gives the lists in the .content area space ~~ */
.content ul, .content ol { 
	padding: 0 15px 15px 40px; /* this padding mirrors the right padding in the headings and paragraph rule above. Padding was placed on the bottom for space between other elements on the lists and on the left to create the indention. These may be adjusted as you wish. */
}

/* ~~ The navigation list styles (can be removed if you choose to use a premade flyout menu like Spry) ~~ */
ul.nav {
	list-style: none; /* this removes the list marker */
	border-top: 1px solid #666; /* this creates the top border for the links - all others are placed using a bottom border on the LI */
	margin-bottom: 15px; /* this creates the space between the navigation on the content below */
}
ul.nav li {
	border-bottom: 1px solid #666; /* this creates the button separation */
}
ul.nav a, ul.nav a:visited { /* grouping these selectors makes sure that your links retain their button look even after being visited */
	padding: 5px 5px 5px 15px;
	display: block; /* this gives the link block properties causing it to fill the whole LI containing it. This causes the entire area to react to a mouse click. */
	text-decoration: none;
	background: #8090AB;
	color: #000;
}
ul.nav a:hover, ul.nav a:active, ul.nav a:focus { /* this changes the background and text color for both mouse and keyboard navigators */
	background: #6F7D94;
	color: #FFF;
}

/* ~~ miscellaneous float/clear classes ~~ */
.fltrt {  /* this class can be used to float an element right in your page. The floated element must precede the element it should be next to on the page. */
	float: right;
	margin-left: 8px;
}
.fltlft { /* this class can be used to float an element left in your page. The floated element must precede the element it should be next to on the page. */
	float: left;
	margin-right: 8px;
}
.clearfloat { /* this class can be placed on a <br /> or empty div as the final element following the last floated div (within the #container) if the #footer is removed or taken out of the #container */
	clear:both;
	height:0;
	font-size: 1px;
	line-height: 0px;
}
body,td,th {
	color: #C00;
	font-weight: bold;
}
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.content { margin-right: -1px; } /* this 1px negative margin can be placed on any of the columns in this layout with the same corrective effect. */
ul.nav a { zoom: 1; }  /* the zoom property gives IE the hasLayout trigger it needs to correct extra whiltespace between the links */
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    <h3 align="center"><img src="../../Images/Clean Cavalier Logo 2.png" width="119" height="119" align="left" />Jon Houghton</h3>
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    <h1><img src="../Bioimages/houghtonj.jpg" alt="" name="BioImage" width="370" height="472" hspace="10" vspace="10" border="5" align="left" id="BioImage" /></h1>
    <p><b>JON HOUGHTON <br />
      CHRISTINE HOUGHTON <br />
      104 Monaco Road  <br />
    Melbourne, Florida 32904</b></p>
    <p><b>(321) 432-9364</b></p>
    <p><b><a href="mailto:jkhoughton@gmail.com">jkhoughton@gmail.com</a> </b></p>
<p><b>Self employed</b></p>
    <p><b>In third grade, some kid called me an artist. In the sixth grade, at Sunset Elementary, my teacher told me I’d never amount to anything because all I wanted to do was draw. At Ponce Jr. High, when my girlfriend told me an art career would be a waste of a good mind, I became conflicted. Maybe art just wasn’t macho enough. So at Gables, I went out for sports (worst linebacker in school history) and social activities. But the drawings in the margins of my old school notebooks show that I was still up to my former habits. I was now studying art privately with the help of professionals. </b></p>

  <p><b> When Bill Link, George McLain, Faryl Sims and I went to UNC I decided to go straight and major in math. It was no use. Away from positive influences, I degenerated into an art major, even working my way through school as an illustrator.</b></p> 

 <p><b>During the Vietnam conflict, stationed near New York City, I cultivated my obsession at the museums, the galleries and the Art Students League.  
Free of the service, I crossed the country on my Triumph motorcycle trying to interest myself in honest work. But I soon began selling an occasional painting and doing landscapes in the Southwest.</b></p>

<p><b>Then I met Christine. She was worth trying to live up to. It was time to get serious. By now I knew the only recourse was to make my obsession a career. My associations with several internationally known artists began to focus my mind. My subjects had always been people and the parade of life. Now, National Academician Daniel Greene encouraged me to include portraiture in my work, even hooked me up with a New York gallery. A fellowship with another National Academician, Philip Pearlstein, further encouraged me, helping define the place for a realist’s approach in the world of the abstract condition. My art career slowly became a reality.</b></p>
<p><b> Except for a brief stint as an Art Director at the University of Texas at Austin, I have been independent ever since, doing what I love. In relationship with God and man I couldn’t ask for more. I have had studios in Texas, Georgia and Melbourne, Florida, but we’re in Melbourne pretty much full time now. Christine and I have three children, two of whom are married and have brought us four of the most incredible grandchildren imaginable. </b></p> 
<p><b>Looking forward to the 50th. Hope to see you all there. </b></p> 

    
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